ALEATORY #18: Plants and Animals

Global warming aside, 2008 was good to Plants and Animals. Parc Avenue, their debut full-length (out now on Secret City Records: pick it up, friends) was shortlisted for the Polaris Prize (given to the best Canadian album of each year), and ranked very highly on many many other year-end lists. Somewhere in between gearing up for tour and getting lavished with praise, drummer/vocalist Matthew Woodley found time for us and filled out our eighteenth Aleatory. Many thanks to him, and to the rest of the flora/fauna of the band!

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1. Favorite word?
Hamburger

4. Favorite person to have worked with?
Sarah Neufeld

6. Favorite visual artist?/Favorite work of visual art?
Alex Usow (www.sharksandhammers.com)

8. Favorite author?/Favorite book?
Jonathan Lethem - Motherless Brooklyn

16. Favorite campfire story?
The one about the very horrific thing that actually happened very close to where we're camping tonight.

18. Favorite pick-up line?
Do you you work at UPS? Because I noticed you checking out my package. WHA!

20. Favorite new band?
Metro League

22. Favorite vice?
Sears Catalogue

27. Favorite chord/chord progression?
I'm more of a metric modulation guy. Partial to anything in D though.

28. What instrument would you most like to learn to play?
Piano

29. Who do you wish more people were listening to?
Katie Moore

39. What's something you could probably beat anyone you know at?
A whistling competition

48. Biggest moment of triumph?
Nova Scotia under-15 provincial fencing champion

65. Ever see yourself penning the score/soundtrack to a TV show or film?
Yes I do.

77. What was the hardest part about recording your current release?
Going to work in between.

81. If you could sync an album of yours to a movie (like Dark Side of the Moon and The Wizard of Oz), what movie would it be?
Anything with Danny DeVito.

90. Sexiest thing about you?
I have no neck.

95. Do you ever read your own reviews?
If it's critical.

96. The one thing that no one knows about you (yet)?
I'm saving up for a neck implant.

100. Even with the gradual decay of the B-side, most artists still have vaults of unreleased songs. What's in yours?
Less Danny DeVito, more Will Smith.

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Visit Plants and Animals' website.

ALEATORY #14: The Burnside Project

Every once in awhile, a band comes along that just has everything you love crammed into one place. The Burnside Project is such a band: spry indie-rock guitars meet throbbing synths and techno beats, all while lyrics pour out Richard Jankovich's head that range from smart to smart-ass (I mean, c'mon, the guy gave an in-song shout out to Philip Seymour Hoffman years before that big Oscar win). Though their disc The Networks, The Circuts, The Streams, The Harmonies scored a minor hit with "Cue the Pulse to Begin" back in '03, they band has remained busy, releasing The Finest Example is You in 2005 and re-releasing their '00 effort digitially late last year. Now, Richard is busy doing lots of new songs and remixing under his Pocket guise, but, also, delivering terrifically sarcastic answers to Globecat's fourteenth Aleatory ...

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16. Favorite campfire story?

Unfortunately, I cannot remember any. It probably had ghosts in it.

26. Favorite badass?

Pat Buchanan.

33. What's something you could teach anyone in an hour or less?

Particle physics.

35. What's the best place you've randomly discovered while on tour?

The East Coast of the United States Of America - it is a lovely place!

36. Lyrics first or music first?

Differs on each track. Mostly, music first.

43. What's the road ahead look like?

Sleepy. Burnside is pretty inactive right now but my Pocket work is in full swing. Check it: www.music-by-pocket.com

52. At what point did you realize that music was going to be your full-time occupation?

Um...it's not. Well, actually it is - I work in music branding and licensing. But I don't think that's what you mean...

60. What's the worst show you've ever played? What would you have done different?

Way too many to count - probably at Pianos when I lost my shit and kicked a mike off the stage. That's about as punk as we get. It was pretty cathartic for us.

67. Do you reach any kind of personal catharsis when it comes to songwriting/performing?

I reach catharsis through kicking mikes off of stages, as I mention above.

68. Favorite interview you've ever been a part of (aside from this one obviously)?

No, this one is pretty terrible. My best interview was probably while on tour in Japan and I had no idea what they were asking - I just answered everything with "green and tumbleweeds."

81. If you could sync an album of yours to a movie (like Dark Side of the Moon and The Wizard of Oz), what movie would it be?

Magnolia.

82. Current pop song that you would file under "guilty pleasure"?

I really like Rihanna and I will kick anyone with a mike who disagrees with me.

85. What's the biggest mistake you've made that you inadvertently learned a great lesson from?

Agreeing to do this interview.

88. What's your deepest source for musical inspiration?

The world around me, television, paranoia.

89. You just died. I'm sorry. Fortunately, your will states that you want very specific music to be played at your funeral. What did you choose?

New Order for the upbeat parts, Replacements ballads for the part when everyone cries.

92. Which venue are you dying to play but have not yet had the chance to?

The Houston Astrodome.

94. What's your hardest song to replicate live?

Well, probably the ones we never played live like "Outside Tennebrae" or "An Easy Sell"

98. Would you say that there's somewhat of a political undertone to your music? If so, what motivates it?

Absolutely - though I keep it purposefully subtle. What motivates it? A deep and utter hatred for right wing lunacy and left wing failure to give a shit.

99. Licensing your music out to companies for TV ads: good or bad?

Have you seen our songs on TV?

100. Even with the gradual decay of the B-side, most artists still have vaults of unreleased songs. What's in yours?

Loads of garbage - it's unreleased for a reason, in my opinion.

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Photo by Angela Langer.

Visit the Burnside Project's website.

ALEATORY #12: Grails

It's been a busy year for Grails, and it's not over yet. Back in May, the Portland four piece dropped their fifth full-length in as many years, Take Refuge in Clean Living, pushing their grungy instrumental psych into new and groovy places. In October, their sixth album, Doomsdayer's Holiday, comes out on Temporary Residence. And their 2005 EP, Interpretations of Three Psychedelic Rock Songs from Around the World, was just pressed re-released and pressed vinyl. They also toured with Nadja in June, are hitting up Athens, GA and NY in November, and in the meantime are probably working triple shifts at their day jobs, just because they can. Three of the Grails guys—guitarist Alex Hall, drummer Emil Amos, and keys-man William Slater—took a breather from their hectic schedule and were kind enough to be our twelfth Aleatory.

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12. Favorite band when you were in high school?

AH: Split decision between Metallica and (old) Van Halen.
EA: Dinosaur.
WS: Drive Like Jehu, Public Enemy.

13. Favorite Shakespearean play?

AH: Porky's 3.
EA: Zardoz.
WS: Henry IV.

15. Favorite exhibit or subject at the museum?
WS: Very old books and forgotten manuscripts. Sea monsters of the late cretaceous.

16. Favorite campfire story?
AH: Hamlet.
EA: "Eight O'Clock in the Morning" - Ray Nelson.

17. Favorite plant?
AH: Robert.
EA: Francis.
WS: Treebeard.

19. Favorite foreign film?
AH: Irreversible.
EA: The Bird with the Crystal Plumage.
WS: The Lady Vanishes, Throne of Blood.

28. What instrument would you most like to learn to play?

WS: Flute, maybe cello.
AH: It'd be nice to actually learn guitar at some point.
EA: Either a ham-radio or some Harry Partch shit maybe.

60. What's the worst show you've ever played? What would you have done different?
AH: Eureka, California, 2004, I think. It was in some Italian restaurant. An hour before the show, our violinist ate a handful of mixed scrip drugs he had scored off some dude on the sidewalk. By the time we started to play he was still in the van, writhing in the backseat and clawing at the air. He kept losing consciousness during the set with his violin shrieking a wall of feedback. After the show he passed out in the car and we couldn't wake him up. Eventually he came to at 4 AM, and was furious because it was freezing outside, he didn't know where he was and he filled my voicemail with about 20 hateful, threatening messages.

EA: The time I remember feeling the worst was in around 2001 when someone put the loop for a song called "Canyon Hymn" on a cassette. Since all tape player motors play at slightly different speeds the sound man hit play and we slogged thru 8 minutes completely out of tune with it. I remember experiencing an intense/unparalleled degree of shame while I was putting my cymbals away.

WS: The aforementioned two were the first two that came to mind… Honorable mentions to the show where the very heavy Rhodes organ collapsed on top of me mid-song, trapping me beneath, and the show where i played despite having a 102 degree fever, during which our violinist flipped me off repeatedly from the other side of the stage because he didn't like the set list I'd written. I remember that one as somewhat of a Robitussin-induced waking nightmare.

63. Band/artist you're secretly envious of?

EA: I'll speak for Alex on this one and say it's a tie between Rita Coolidge and Clay Aiken.

71. How well do you feel your music lends itself to remixing or being covered?
AH: I hope that someone might actually cover a Grails tune one day, since it might confirm that we'd succeeded in making an actual song. Most instrumental music these days is either just riffs or drones, rarely ever real songs....

81. If you could sync an album of yours to a movie (like Dark Side of the Moon and The Wizard of Oz), what movie would it be?
EA: Emanuelle and the Last Cannibals
WS: Dirty Dancing

93. Longest show you ever played? What was different?
AH: We've played probably a dozen shows in Europe where the promoter hadn't bothered to add any support bands, leaving us as the sole 'entertainers' for the evening. So we were obligated to go total GBV and play really long sets....which is fun for us but bad for the Italian people who are waiting for the techno DJ that's going on after the rock show.

95. Do you ever read your own reviews?
AH: Yeah, always. I've never understood the idea that a lot of people have about separating oneself from one's criticism. It's just part of the process.

EA: With the amount of dispassionate publicity you generally receive, we mostly just end up reading our own press releases that've been copied and pasted 4000 times. Between that, deleting spam and shredding junk mail modern life has become a refreshing break from reading Kafka. When there's not much tangible community left in the underground it makes us sentimental to watch old videos of the crowd spitting upon the faces of the members of Fear.

98. Would you say that there's somewhat of a political undertone to your music? If so, what motivates it?
AH: You mean in a topical sense? No, we don't have any 'Bush is bad' songs. Music like ours is more about focusing inward than outward. It's head music that benefits from a generous amount of dissociation.

100. Even with the gradual decay of the B-side, most artists still have vaults of unreleased songs. What's in yours?
AH: A lot of stuff that will stay unreleased for good reason. But the rest is being compiled into a DVD project that should be out some time next year.

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Visit Grails' website.
Visit Grails' MySpace.

ALEATORY #10: Pocahaunted

Pocahaunted scares children.

Earlier this year, Amanda and Bethany played for a class of third graders, who described their sound as "scary Halloween music." It's not a bad description: their blend of drone, psychedelia and Native American music, full of reverb and foreboding, would make a great soundtrack to a haunted house. Remarkably prolific (their website lists well over 20 releases, often in runs of 100 or less), they are atmospheric in the good way, haunting without coming across as dark or gloomy, and of course, charming to talk to. The ladies of Pocahaunted:

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5. Favorite piece of equipment?

Amanda: Delay and reverb pedal.
Bethany: Holy Grail reverb pedal. I'd be nothing without one.

9. Favorite song to start (or end) a mixtape with?

Amanda: "Umi Says," by Mos Def.
Bethany: "Gold Dust Woman," Fleetwood Mac.

14. Favorite sound?

Amanda: Sax solos.
Bethany: The fan in my room blowing right at me when it's 400 degrees with 99.9% humidity.

20. Favorite new band?

Amanda: White Magic
Bethany: Vivian Girls.

22. Favorite vice?

Amanda: Dark chocolate.
Bethany: Mike's Hard Cranberry Lemonade.

23. Favorite natural oddity?

Amanda: Unibrows and lisps.
Bethany: Cats with thumbs.

25. Favorite historical figure?

Amanda: Queen Elizabeth and Nixon.
Bethany: Bruce Springsteen.

49. Now that you know a much larger audience will get to hear the music you've made, has your writing changed at all? How? What's changed and what's stayed the same?

Amanda: I'm always like to Bethany, "Oh man, in that last review they really didn't like this or that, we've got to grow or move away from our previous songs..." But you can't think like that, the writing should only change because we change and our influences change, and we try to stay true to that. I think we've gotten more sophisticated in our recording, with more collaborations with other amazing musicians, and that always morphs and improves our sound. But Bethany's voice is our rock and it's what makes us Pocahaunted, so that will never change. I'm just trying to get her to go off even more insane, deeper, crazier, with more soul, and more intensity. And she always brings it.

60. What's the worst show you've ever played? What would you have done different?

Amanda: Our worst show was at Echo Curio, when we played with our friend Jonathan. He was amazing, and the sounds he was making were totally beautiful but Bethany's amp was malfunctioning like crazy and feeding back, and I think we played for about six minutes. It was low... but when it was over we laughed. Like we genuinely laughed and hugged and got over it, so maybe that's not so bad after all.

61. What's the best advice you could give to a young, upstart band?

Amanda: Work hard and be sick and epic, I'd say. But I'd always say work hard, be sick and epic about anything. If you stay away from weird music trends and make yr own music then who cares if you don't get the recognition right away or ever? If they like punk and yr making experimental drone, keep on keeping on. If they like experimental drone and yr making experimental drone, then enjoy it while it lasts. And of course, work with the best people you can. They'll only make you sound better and go deeper.
Bethany: Move to Brooklyn.

65. Ever see yourself penning the score/soundtrack to a TV show or film?

Amanda: When we write a great song and we know it, like we hear it back and look at each other like, "oh yeah" — we always joke, oh just the perfect score for Last of the Mohicans 2. But it's changing now, we're trying to get more soulful... maybe like the soundtrack to an awesome movie about sad shit and redemption...
Bethany: The Sopranos movie.

70. What is a personal belief you hold that you would fight for to the death?

Amanda: My own aesthetics. And love, duh.
Bethany: Never eat mayonnaise.

72. A few years ago, Beck gave an interview for SPIN in which he lamented the glut of reality TV shows and blogs about musicians, wanting to know less details about their life because he felt they were more mysterious that way (he liked to envision Devo as living in a crazed art-deco pyramid when he was young, instead of just some guys in a tour bus). Do you feel that there's a lack of mystique out there for musicians in today's YouTube age? Do you feel your band carries any mystique?

Bethany: I guess it makes sense that there would be a total lack of mystique for this reason, but I am totally into YouTube—so I don't really worry about it. Pocahaunted doesn't seem to end up on the Internet as much, unless it's links to my personal Flickr site—so I think we are doing pretty good at keeping up the mystique.
Amanda: There's no mystique. My husband Britt used to be like, "I love that band, you can't even email them... they don't even exist on the Internet, it's amazing." We still get into that and get siked on it, then it comes time to email that band and it's like, oh shit, you can't even email those dudes. It's hard to stay mysterious when being out there comes with Flickr account pics, and YouTube videos, and Myspace comments... I hope we have a mystique, but we ruin everything when we speak. It's all jokes and Sopranos references. Not so strange at all.

77. What was the hardest part about recording your current release?

Amanda: Raising ourselves to the highest level. Each release has to be just a bit better or stranger or cooler than the last one for us. I get so stressed and go crazy over every song, and Bethany just trusts our performance and relaxes. Working with Bobb Bruno and Cameron Stallones is so dope, though. So there's a lot of trust there.
Bethany: I think just the timing. I was about to move, and was trying to finish up my last semester at school in LA—and Amanda was working hard on Crops and Rawbers stuff, and trying to leave her job... so we both had a lot on our minds, and were pretty stressed out... but we finished it, so I guess stress doesn't matter now.

80. Worst run-in with the law (to date)?

Bethany: The time Amanda and I got yelled at for peeing in a vineyard.
Amanda: The cops yelled at us because we tried to pee in a vineyard on the way to our Halloween show opening up for Thurston. We were totally late, had to pee of course, and didn't realize it was illegal. Which led to my famous (not so famous) quote, "Whatever, I pee in everyone's wine, it's fine."

81. If you could sync an album of yours to a movie (like Dark Side of the Moon and The Wizard of Oz), what movie would it be?

Amanda: Probably some James McAvoy movie. We love him.
Bethany: The Dark Knight.

83. Have you ever thought of pulling a Jack White-styled Raconteurs/White Stripes thing and be in multiple bands at once? If so, what would the other band sound like?

Amanda: Bethany's would probably sound more beautiful than anything in the world (Enya meets Kate Bush meets Mazzy Star) and mine would just be straight up afro funk or stupid acid jazz. Or we'd probably just try to hang around with rappers and hope someone would let us sing the hook.
Bethany: Yeah, I'm down. I'd like to be in a really poppy band that just sounds like The Beach Boys. Amanda would probably hate it.

84. Most disappointing concert you ever attended?

Amanda: Kraftwerk at Coachella. It was like a car commercial. Straight up.
Bethany: I don't know. It wasn't Billy Joel, that's for sure.

94. What's your hardest song to replicate live?

Amanda: We can't replicate any of them. We can't replay any of them. So I guess, all of them.

100. Even with the gradual decay of the B-side, most artists still have vaults of unreleased songs. What's in yours?

Amanda: So many weird live sets with different awesome friend musicians. And a few songs that I was like, no no no not good enough for the album. It gets shelved, and then Britt just archives it for us in case we get wistful one night and re-listen and go, ooohhhhhhh yeah.

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Visit Pocahaunted's Myspace.