7.28.2008

ALEATORY #9: Do Make Say Think


Since the 1998 release of their self-titled debut, Do Make Say Think have been a key member of Constellation Records' stable. On a label that is also home to such acts as A Silver Mt. Zion, godspeed you! black emperor, and Sandro Perri (Polmo Polpo, Glissandro 70), it takes a special sort of band to stand out among all the rest of the incredible talent Constellation has signed.

Do Make Say Think
is that sort of band.

Combining the post-rock of their labelmates with elements of jazz, touches of electronics, and above all, incredible technical prowess, DMST was able to pull more emotion out of their instrumental rock than bands with tomes of lyrics. So what did they do? On last year's fantastic You, You're a History of Rust (firmly in Davecat's top five albums of 2007), they added vocals to two of the tracks, including absolutely transcendent disc-closer "In Mind," and proved they can grow in ways no one had imagined.

Taking a break from blowing minds long enough to be the subject of our ninth Aleatory is guitarist Justin Small, who, like all Canadians (if current trends are any indication), has more than one band, also drumming for hardcore soul group (and Constellation-signees) Lullabye Arkestra. He's not as great as I say he is.

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13. Favorite Shakespearean play?

Ugggg... I hate Shakespeare. In fact I hate theatre. Really, I'm sorry but it's true. I appreciate the effort that goes into acting on stage but, I don't know why. I just don't get on with actors.

16. Favorite campfire story?

I'm gonna be sitting next to a campfire tomorrow. Yea!
Ummm....
I'll probably talk a lot of shit because I'll be hammered.
I'll re-tell the story of the bird that recently got caught in my bedroom and survived slamming into every wall, escaping my cat, and me hitting it with a broom (by accident, I was trying to guide it out and smacked it on the head. I felt awful)
p.s. the story gets louder each time I tell it.

21. Favorite album(s) from the past year?

I work at a record store, so it's favorite album of the week.
This week
DEATH BREATH's Let It Stink. It's the dude from Hellacopters and Entombed doing old school black metal in [the] vein of Venom and Celtic Frost. It's awesome and all the songs are about zombies!
So it's not death metal it's un-dead metal!!!
There are too many good records to mention. Get away from your fucking computer and visit and support your local record store. It's fun.

25. Favorite historical figure?

Tommy Douglas
He's the reason we have health care in Canada.
http://www.cbc.ca/greatest/top_ten/nominee/douglas-tommy.html

33. What's something you could teach anyone in an hour or less?

How to build a campfire. I love doing it and I do it well.

41. If you could go anywhere in the universe, where would it be?

Actually, the sun is shining and I'm inside writing on a computer. I want to be at Ronnie's Patio. That's a bar in the Kensington Market area of Toronto.

48. Biggest moment of triumph?

Marrying Kat Taylor.

51. What are you currently obsessed with?

Hangovers.
I don't want to be but it seems I can't help myself. Damn delicious beer.
Also riding my bike. I have a sweet ride.

55. You're curating a festival. If you could choose any two bands to open for you, who would they be?

Good one.
A re-united Talk Talk, Laughing Stock era.
And this one man band from France called Andre Duracell
Check out this Lightning Bolt cover:
http://www.youtube.com/watch?v=uI7vt_bPib0

62. Your favorite song that you've done so far?

The song Kat walked down the aisle to.
And we just wrote an awesome Lullabye Arkestra jam called 'get nervous'

63. Band/artist you're secretly envious of?

Silver Mount Zion. Have you seen them live??? Holy shit.

66. Worst song you've heard recently?

I cannot stand Joanna Newsom. Sorry. In fact that whole scene of 'pretty-girl-singing-like-a-10 year old' bugs the shit out of me. Can't stand it.

67. Do you reach any kind of personal catharsis when it comes to songwriting/performing?

Yes, of course.
You have to. In order for you to complete a song your heart must be open to it. Otherwise you are just pretending to play music. You are acting music.

68. Favorite interview you've ever been a part of (aside from this one, obviously)?

This one is going swimmingly. So let's not talk about past loves and ruin the moment. o.k.?

78. Your life has been reduced to a bumper sticker: what does it say?

Umm
"If you cannot move your body, your soul cannot be saved"
Or one of those Jesus fish holding a beer.

84. Most disappointing concert you ever attended?

Palace Brothers way back in '96 (?) at Lee's Palace. In Toronto.
I was soooooo into Palace at the time. And apparently Will Oldham had fired his band before arriving and instead of doing it solo hired these new-rock assholes to back him. Total disaster.

86. With Radiohead's In Rainbows release and Nine Inch Nails doing boffo business with his online releases, do you see yourself ever doing some alternative kind of release for any of your future projects?

Sure.
Just as long as there's also a vinyl release as well. I just got a new needle for my turn table and music has never sounded better.

88. What's your deepest source for musical inspiration?

Love and fear.

89. You just died. I'm sorry. Fortunately, your will states that you want very specific music to be played at your funeral. What did you choose?

"Highway to the Danger Zone" by Kenny Loggins. From the Top Gun soundtrack.

95. Do you ever read your own reviews?

Yes.
I'm really not as great as everybody says I am.

7.24.2008

ALEATORY #8: Titles


... and in step the indie-rockers. With a laid-back style the mixes both backwoods rock drawl with indie quirkiness, guitarist Brad Amorosio began working as Titles after his previous Connecticut college rock act bailed out. Soon, with the help of drummer John Miller, a fleshed-out sound emerged, and as of later this year, a new album as well. Brad sits down with Globecat to take part in its eigth Aleatory ...

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1. Favorite word?

I don't know. [Editor's Note: That's actually three words.]

5. Favorite piece of equipment?

1960 Gretsch Clipper.

14. Favorite sound?

Lightsabers.

26. Favorite badass?

Daniel Day-Lewis in Gangs of New York.

45. What's the best lie you've ever told?

Probably something on a job interview.

53. So far in your career, what's been your biggest regret?

No regrets.

54. So far in your career, what's been your proudest accomplishment?

Putting out our last record.

60. What's the worst show you've ever played? What would you have done different?

They are all OK. Even the worst ones have some value.

63. Band/artist you're secretly envious of?

It would be fun to float on the crowd in an inflatable bubble.

65. Ever see yourself penning the score/soundtrack to a TV show or film?

Not anytime soon.

76. Dream collaboration?

When is that Dangerhorse record coming out?

82. Current pop song that you would file under "guilty pleasure"?

I liked that Jessica Simpson song with the roller rink video ["A Public Affair"].

89. You just died. I'm sorry. Fortunately, your will states that you want very specific music to be played at your funeral. What did you choose?

"Hello Goodbye"

90. Sexiest thing about you?

Post nasal drip.

91. Which single album should be in everybody's home?

The first Huey Lewis and the News record.

97. Your label wants to do a music video for a song off your album, and have inexplicably procured $1,000,000 as a budget, then decide that you'd best direct the visual accompaniment to your own music. What song do you choose, and what will your video look like?

We'd probably do something with animatronic dinosaurs.

99. Licensing your music out to companies for TV ads: good or bad?

Depends what the ad is for. Car insurance? Hamburgers? Sure, what the hell.

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Visit Titles' website.

7.14.2008

ALEATORY #7: Mark Romanek


You may have heard of Mark Romanek.

Mark spends his time directing music videos. Some of the videos he has directed include Nine Inch Nails' "Closer" and "The Perfect Drug", Fiona Apple's "Criminal", Lenny Kravitz's "Are You Gonna Go My Way", Janet/Michael Jackson's "Scream", Johnny Cash's "Hurt", and Jay-Z's "99 Problems", just to name a few. He also directed the incredible paranoia-thriller One Hour Photo starring Robin Williams, along with some of the revolutionary iPod TV spots. He's won everything from Grammy Awards to VMA's, and now sits down to partake in the seventh Globecat Aleatory. Ladies and gentlemen, without further ado: the inimitiable Mark Romanek.

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1. Favorite word?

I've always liked the word: nuance. I also like the words: perhaps, affinity, translucence, tangential, hierophant, and taupe. I also love to say the name "Miroslav Ondricek."

4. Favorite person to have worked with?

I found it thrilling to work with Johnny Cash, Paul McCartney, Bob Dylan, and David Bowie. My experience with Robin Williams on One Hour Photo was really great too.

6. Favorite visual artist?/Favorite work of visual art?

Pablo Picasso/Various paintings from his "Rose Period."

7. Favorite composer?

Bob Dylan. Tom Waits. Paul Simon. Stevie Wonder. Erik Satie. Ludwig Van Beethoven. J.S. Bach.

11. Favorite music video?

Wax "Southern California" by Spike Jonze. Also: Iggy Pop "Home" by David Fincher, Björk "All is Full of Love" by Chris Cunningham, [and] Björk "Isobel" by Michel Gondry.

19. Favorite foreign film?

Fellini's 8 ½, Truffaut's 400 Blows, Polanski's The Tenant, Tarkovsky's The Sacrifice, Bergman's Persona, Dreyer's Passion of Joan of Arc.

21. Favorite album(s) from the past year?

Bon Iver -- For Emma, Forever Ago, Coconut Records -- Nighttiming, Radiohead -- In Rainbows

23. Favorite natural oddity?

The human orgasm, bio-luminesence, Aurora Borealis, rainbows, fireflies, hummingbirds, transparent fish (In that order.)

28. What instrument would you most like to learn to play?

Acoustic guitar. To my great shame, I never learned. (I took a lesson when I was nine and was discouraged by a teacher who said I had no aptitude. I later found out I was a lefty. That guy was a dumb asshole.)

32. Best thing you learned this week/month?

I learned to get the fuck out of the way.

33. What's something you could teach anyone in an hour or less?

I suppose I could teach someone how to use a 35mm still film camera.

42. What's an image that haunts you to this day?

When I was five years old, I was very eager for the next day to come, because it was my birthday or Christmas or something. The idea of having to wait all night long for the next day to come was unbearable to me. So, that evening, sitting in my bed, I closed my eyes and wished with all my might that when I opened them, it would be morning. And it worked! (I swear to God.) It was morning in the blink of an eye! I thought the world was magic and that I had magical powers. (I guess, I must''ve closed my eyes and fallen asleep without realizing, and I actually opened my eyes about ten hours later.)

44. Something you've heard, know is false, but wish were true with all your heart?

I have an opposite example. I heard something that's probably true and wish with all my heart that it wasn't. Someone who actually knows J.D. Salinger said that he's stipulated in his will that when he dies all his unpublished manuscripts are to be destroyed. I think this would be a cultural tragedy of unimaginable proportions.

54. So far in your career, what's been your proudest accomplishment?

I guess, One Hour Photo. That, and a handful of my music-videos.

I would say that I'm proud to be involved with all the Apple iPod silhouette TV spots, because I do think it's a really great product, and the ads are sort of iconic . They are defining an aspect of the era. (I should note that the silhouette idea itself is not mine, of course. I just help execute them.)

66. Worst song you've heard recently?

If it was "worst" I almost certainly would've changed the station before I could discover the title. I have a low tolerance for insincere, synthetic crap.

76. Dream collaboration?

I'd love to work with: Tom Waits, Thom Yorke, Leonard Cohen, Björk.

85. What's the biggest mistake you've made that you inadvertently learned a great lesson from?

Isn't any "biggest" mistake inevitably an enormous learning experience? I think any mistakes that big would be too humiliating for me to discuss in this forum.

89. You just died. I'm sorry. Fortunately, your will states that you want very specific music to be played at your funeral. What did you choose?

Erik Satie's "Gnossienes #5." (No question about it.)

90. Sexiest thing about you?

My talent for gracefully deflecting embarrassing questions.

96. The one thing that no one knows about you (yet)?

I can be pretty funny, once you get to know me. (Just not so much in this questionnaire.)

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Visit Mark's official website.

7.13.2008

OFF THE RECORDS: The Anniversary


As we post this -- our first Off the Records segment, detailing reflections and behind-the-scenes goings-ons here at Globecat -- we will officially have garnered out 666th hit, making our site officially endorsed by Satan, who, of course, is a long-standing propriator and supporter of rock and roll in general (we kid, naturally). Yet this blog is not about garnering thumbs-up from the underworld; it is -- and always will be -- about connecting musicians to listeners, with as little buffers in-between. We are on the cusp of celebrating our first month active as a site, and already we have published three interviews, six Aleatories, and have so many amazing artists lined up for future interviews it almost borders on ridiculous.

Yet our initial success wouldn't have been possible without a few things: Anncat's incredible logo, Bencat's sleek, efficient design, and especially without the interview that got this site off to its fantastic start -- Will Stratton's. It was that humble folkie's honest start that gave Globecat the leg-up it needed, all before we wound up talking to Harvey Danger, indie-icon Phil Elvrum, emerging pop hero Gotye, Japanese psych-rockers Ghost, French electro-rapper Yelle, indie-rock giants Maritime, former Clem Snide frontman Eef Barzelay, sample-heavy party-starters The Go! Team, and -- shortly after this post -- iconic music video director Mark Romanek.

Needless to say, we just want to thank our loyal readers for your support, Jay Hathaway for your incredible blog posts, and all those forum gurus and PR agents that link our work on a regular basis. We're still stunned by all that we've accomplished in the first month ... let's just see what happens in the next 11. :-)

7.10.2008

ALEATORY #6: The Go! Team

Ian Parton could very well get a job as a professional juggler. Afterall, the founder and mastermind behind the U.K.'s party-starting sample-happy The Go! Team somehow finds a way to weave dozens of samples, tons of live instruments, and a genuine sense of fun all together on TG!T's albums, all without seemingly breaking a sweat. Already his band has produced a rising indie star (female rapper Ninja, who can be heard on the excellent Simian Mobile Disco single "It's the Beat"), a near-classic debut album (2004's Thunder, Lightning, Strike), and an equally-ecstatic crowd-pleasing follow-up (2007's Proof of Youth), all while leaving a trail of dropped jaws in the wake of the band's outrageous and exciting live shows. Amidst all this Technicolor insanity, however, Ian found time to sit down and become part of the sixth Globecat Aleatory, revealing dark family secrets (game shows!), incredible childhood boardgames (Assassin!), and how the dirtiest joke he knows is about two decades past its relevance (but is still fantastically funny).
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2. Favorite board game?

I'm not really a board game fan but when I was a kid, me and my brother designed our own board game called "Assassin" where you had to kill the president.

7. Favorite composer?


Phillip Glass.

9. Favorite song to start (or end) a mixtape with?

"Groovin' with Mr. Bloe" by Mr. Bloe.

12. Favorite band when you were in high school?
I'm ashamed to say I had a Simple Minds period in school but that turned into the Wedding Present, then the Pixies.

13. Favorite Shakespearean play?


Gawd knows -- maybe Othello.

19. Favorite foreign film?

À bout de souffle
.

20. Favorite new band?

Ult Cult.

28. What instrument would you most like to learn to play?
The trumpet.

33. What's something you could teach anyone in an hour or less?

Harmonica.
34. What's the best joke you heard recently?

The only joke I know is the one about Michael Jackson's favourite song being "I'm Forever Blowing Bubbles" -- it must date from the 80's cos that's when he had the chimp.

43. What's the road ahead look like?
As long as there is the occassional little chef I'll be happy.
44. Something you've heard, know is false, but wish were true with all your heart?
Music can change the world.
51. What are you currently obsessed with?
Melody and the US office.
61. What's the best advice you could give to a young, upstart band?
Don't think about getting signed just think about create/making music that noone else is making.
73. Are there any songs that you're working on right now?
I work on little ideas rather than whole songs and kinda hoarde them away and whittle them down to the greatest hits. So I have the usual stash of ideas squrrelled away at the mo.
75. Very first song that you ever wrote?
First song I recorded in a proper studio I called "Assembly" 'cos it sounded like it was performed by kids in a school assembly -- it had recorders and glockenspeils in it so not much has changed.
92. Which venue are you dying to play but have not yet had the chance to?
I'd like to play Brixton Academy but I think we've missed our chance now.
96. The one thing that no one knows about you (yet)?
My family auditioned for Family Fortunes.
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Photo taken by Jamie Beeden.

7.07.2008

ALEATORY #5: Eef Barzelay


When Clem Snide covered Christina Aguilera's "Beautiful" for the EP of the same name, few would expect that such a bloated power ballad could be done as an effective song that was as earnest as it was forceful. Yet Eef Barzelay is one to always upset expectations, his backwoods indie-ballads always peppered with sharp pop culture observations that intertwine with his ever-present heartbreak (just listen to his solo track "The Ballad of Bitter Honey" to hear the best song ever written about a rap video girl's tormented life). With Lose Big, Eef's second solo album (third if you count his Rocket Science soundtrack), the former Clem Snide frontman shows that constant touring has only made his skills sharper, and that few acoustic balladeers are as witty, cunning, or genuinely affecting as Eef Barzelay, the subject of Globecat's fifth Aleatory.

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2. Favorite board game?


Sorry.

3. Favorite key to write in?


C

8. Favorite author?/Favorite book?


The Bible
by God.

11. Favorite music video?


Madonna -- Papa Don't Preach

23. Favorite natural oddity?


My heart.

24. Favorite historical time period?


The time between the wars.

25. Favorite historical figure?


Tupac.

29. Who do you wish more people were listening to?


Tupac.

35. What's the best place you've randomly discovered while on tour?


Miss Tracy's Study Butte Cafe near Big Bend, TX.

39. What's something you could probably beat anyone you know at?


Grinding my teeth.

44. Something you've heard, know is false, but wish were true with all your heart?


That there is god.

50. What's your religious tradition or background?


Raised by Jewish atheists.

57. Most rock star thing you've ever done?


Playboy radio.

62. Your favorite song that you've done so far?


"Collapse" [from] End of Love [by] Clem Snide

65. Ever see yourself penning the score/soundtrack to a TV show or film?


Done and done.

70. What is a personal belief you hold that you would fight for to the death?


Freedom of thought.

76. Dream collaboration?


Little Jimmy Scott.

79. Best concert you've ever been to?


Little Jimmy Scott at Birdland, New Years Eve 2001.

84. Most disappointing concert you ever attended?


Whitesnake, Meadowlands 1986.

86. With Radiohead's In Rainbows release and Nine Inch Nails doing boffo business with his online releases, do you see yourself ever doing some alterative kind of release for any of your future projects?


Pay it forward, yo.
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7.04.2008

INTERVIEW: Maritime


When Maritime formed from the ashes of seminal emo-rock darlings The Promise Ring, people weren't sure exactly to expect, especially with the addition of Dismemberment Plan bassist Eric Axelson. Their first album, Glass Floor, was drubbed in some circles for being too lightweight, but, really, it was drubbed because everyone thought it was going to sound like the Dismemberment Ring. Songs like the gorgeous "Window is the Door" and the poppy "Someone Has to Die" showed there were far more important things going on than just aiming for that six-string sweet spot. Their 2006 disc We, The Vehicles was more immediate and striking, and by the time that Axelson left, lead singer/guitarist Davey Von Bohlen and drummer Dan Didier went in an even further guitar-rock direction, resulting in 2007's fantastic Heresy & the Hotel Choir.

Sitting down with Evcat, Von Bohlen and Didier do a great tag team interview, discussing their dual legacies, ignoring expectations, and regretting that darned Tony Hawk video game.

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>>To be quite blunt, I think you guys had one incredibly difficult hurdle to overcome when you first started out: there was just too much anticipatory hype surronding the idea of a Promise Ring + Dismemberment Plan sound, which, of course Glass Floor was about as far from as you could imagine with its wistful acoustic indie-pop. How did this effect you as a band?

Davey: Not really at all. For whatever reason, we always expect to get panned for everything we ever do, and always have. Every bit of criticism and ego-stroking seems to fall somewhere outside the group and we just keep doing the same thing. Seems to me, to take public opinion and let it influence you isn't authentic.

>>Of course you now have three full-lengths under your belt, and Heresy wound up rocking much, much harder. How has the gradual electric-guitar pileup changed your live shows?

Dan: Well, our live shows now have a lot more energy than our first couple tours when we were playing Glass Floor stuff. Not that we didn't play the Glass Floor stuff without energy, its just that the latter songs were written with the idea of playing them live in mind, whereas with Glass Floor we just put whatever we wanted into the songs without any forethought of playing those songs live (i.e. layering every song with strings, piano, horns, etc.). So the transition from studio to live for the early songs was pretty tough. So when we started writing We, the Vehicles it was a conscience decision to keep the instrumentation a lot simpler. So, I guess to us, simpler instrumentation equals rock.

>>I look back on the Aidos EP and your tons of B-sides and unreleased tracks: what goes into the process of deciding what goes on an album for you guys?

Davey: We just pick the good songs. Actually, that's true: when we reach that stage, it is always pretty obvious which songs are definitely in and which group are definitely out ... The group on the fence tends to reveal themselves during recording, where songs grow and fall apart one last time. They pretty much sort themselves out.

>>It feels like We, the Vehicles was very much designed as the disc to break conventions that Glass Door set up, proving your ambition was more than just lo-fi acoustic strummings. What went into that disc that was so different? Now that you've firmly established yourself as an indie-guitar act, what's next?

Dan: The biggest difference with the writing of We, The Vehicles was that Eric Axelson was in the writing process from the start. With Glass Floor, the songs started with just Davey and I and we didn't get Eric involved until later in the writing process. We also didn't rely on ProTools as much. We started in the studio with us playing the songs and only went to the computer when the songs were mostly fleshed out. Heresy was the same way, but this time with Justin Klug and Dan Hinz. Well, we are just starting the writing process for the next record, so its too early to tell what it may sound like.

>>Do you still feel bound to the Promise Ring legacy at all, or does Maritime mark a completely new phase in your life?

Davey: In as much as I was part of it, and it me ... yea. I don't think of songs with legacies or expectations. I think of them as individual statements and I am just really happy to still be creating and interacting with them.

>>Lastly, in your career thus far, what's been your biggest regret and, conversely, what's been your proudest accomplishment?

Dan: My biggest regret, honestly, is that while I was in The Promise Ring I didn't learn a craft or something while we were living off the band. Instead I got really good at the Tony Hawk video games. But, as far as an accomplishment, I guess I am just happy to still be able to do this. Being able to travel and tour (albeit a lot less now with all of our family responsibilities) and write songs with guys I highly respect for such long time. Its something to be proud of.

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6.30.2008

ALEATORY #4: Yelle


Yelle is not your typical female eletroclash-loving Parisian rapper. Then again, the phrase "female electroclash-loving Parisian rapper" doesn't get kicked around much these days. With an attitude that could out-sass Lily Allen and a fashion style that virtually defines "retro-chic", Yelle has proven herself a force to be messed with. Although the notion of a dance-pop chanteusse rapping entirely in French may seem uncommercial, Yelle's eye-popping, colorful, and flat-out crazy music videos have turned her into a YouTube sensation, logging tens of millions of hits (no joke) and truly breaking down any and all language barriers with her unique sense of fun. Labels notice these things, and earlier this year, Yelle's debut album, POP UP, got a digital release here in the U.S.

Yet during her schedule of touring, junkets, and making more delicious music video eye-candy, Yelle had time to take part in our fourth Aleatory, showing a love of dog snores, a dream of working with Dave Gahan, and having "Girls Just Want to Have Fun" played at her funeral ...

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1. Favorite word?

Putain (fuck).

3. Favorite key to write in?

Be alone.

4. Favorite person to have worked with?

GrandMarnier.

12. Favorite band when you were in high school?

Take That!

14. Favorite sound?

When my dog snores.

30. How many languages do you speak?

Just two: French and English.

31. Other than musician, what career would you most enjoy?

I would love to be a cook.

36. Lyrics first or music first?

It depends; no rules.

39. What's something you could probably beat anyone you know at?

Make grimace.

45. What's the best lie you've ever told?

I’m a bad liar but certainly something for miss[ing] school.

51. What are you currently obsessed with?

I always check if the door is closed 3 or 4 times before leaving my house.

72. A few years ago, Beck gave an interview for SPIN in which he lamented the glut of reality TV shows and blogs about musicians, wanting to know less details about their life because he felt they were more mysterious that way (he liked to envision Devo as living in a crazed art-deco pyramid when he was young, instead of just some guys in a tour bus). Do you feel that there's a lack of mystique out there for musicians in today's YouTube age? Do you feel your band carries any mystique?

I don’t know cause I think we must live in our generation and [be] OK with YouTube, MySpace, [and the] internet in general. But I think you can [have] mystique and have something mysterious around you; it’s not a problem. I come from Brittany and for Parisians, it’s bizarre ...

76. Dream collaboration?

Dave Gahan.

86. With Radiohead's In Rainbows release and Nine Inch Nails doing boffo business with his online releases, do you see yourself ever doing some alterative kind of release for any of your future projects?

Yes I think. Today [it] is complicated to be a musician and to live off your music but we can find solutions and stuff to change relations with the public.

89. You just died. I'm sorry. Fortunately, your will states that you want very specific music to be played at your funeral. What did you choose?

"Girls Just Want to Have Fun," Cyndi Lauper.

91. Which single album should be in everybody's home?

Mine!

92. Which venue are you dying to play but have not yet had the chance to?

I don’t know; maybe in a hot air balloon.

93. Longest show you ever played? What was different?

Maybe it was in Paris in May: [on] a special night, I had [to] sing with Alain Chamfort, a kind of french dandy, good producer, famous in 80’s cause he worked for Lio, and with Gainsbourg at the beginning of his career. It was very cool!

96. The one thing that no one knows about you (yet)?

Nothing.

99. Licensing your music out to companies for TV ads: good or bad?

Maybe bad cause I think TV is not the good way [to] make people love your music, but [through] live show[s], I think concerts are the key.

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Visit Yelle's website.

6.27.2008

ALEATORY #3: Masaki Batoh of Ghost

Since 1984, Ghost has been a staple of Japan's incredible psych-rock scene. Led by Masaki Batoh, and featuring legendary guitarist Michio Kurihara (who played with Boris on 2007's incredible Rainbow, as well as with Damon & Naomi), Ghost's sound is ever-changing, and as such, impossible to pin down. From blistering hard rock to acid folk to sparse, spacey instrumentals to banjo-centric jams, Ghost does it all. Last year, they released their eighth full-length, In Stormy Nights, as well as Overture: Live in Nippon Yusen Soko 2006, a CD/DVD set chronicling a completely improvised show held in a warehouse, with the band separated from each other and the audience locked in for the duration.

Just back from a visit to the states, where he was touring with Helena Espvall of Espers and Damon & Naomi, Batoh gratefully agreed to take part in our third Aleatory questionnaire, in which he shares his love for the classics and displays a humble charm throughout.

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1. Favorite word?

"Monarch takes no heed of this miracle
But his hands are only used to persecute us on this ground"
— Agrippa d'Aubigné ["God"]

2. Favorite board game?


I don't do it. But a little Igo or Shogi.

5. Favorite piece of equipment?


Acoustic guitar, banjo.

10. Favorite lyric?


Seneca, Dante, Saisei Muroo, Rohan Koda, etc.

11. Favorite music video?


I don't have TV or DVD system.

15. Favorite exhibit or subject at the museum?


Hokusai at British museum. Buddhist statue at Japan national museum. Goya, Bruegel and Bosch in Madrid.

27. Favorite chord/chord progression?

I don't have any correct musical name on chords. Actually I don't play in standard tuning. Sorry, I'm very bad at musical knowledge.

31. Other than musician, what career would you most enjoy?

My occupation, acupuncture and moxhibation to cure people in sickness.

32. Best thing you learned this week/month?

How I love American people very much. But how I hate their government. "Honk to impeach!"

38. What is your family like?

Very ordinary, peaceful one outside of Tokyo.

46. Where do you keep things hidden? What do you keep hidden there?


Hide nothing. Drainage only.

60. What's the worst show you've ever played? What would you have done different?


In 1984 we were arrested because we played in front of [a] police building.

64. Weirdest promotion you've been a part of?

Oh Buddha, in-store show[s are] always very weird to me......

65. Ever see yourself penning the score/soundtrack to a TV show or film?

Soul is desertful
*, directed by daughter of movie director who [did] Suspiria.

71. How well do you feel your music lends itself to remixing or being covered?


None did it, maybe.

74. Better to burn out or to fade away?


Better to cure everybody, hopefully by music, too.

79. Best concert you've ever been to?


In 1988, Live Temple show at Seiryu temple.

90. Sexiest thing about you?


No idea.

93. What was the longest show you ever played? What was different?


We always play very long in Japan. In foreign countries it used to be very short, at least 2 hours, because we usually play improvisation.

98. Would you say that there's somewhat of a political undertone to your music? If so, what motivates it?


Maybe yes. Because politics is ours, not for politicians who let slip the dogs of the WAR. If we say [we] agree to WAR, there's no insist[ence] for music.

+++

Visit Ghost's website.
Visit Ghost's page at Drag City Records.

Photo by Hiroyuki Ishii.
* DAVECAT: I'm not sure what film Batoh is referring to; I can find no reference to it online. I suspect the title he mentions is the result of translation from something (Italian? English?), to Japanese, then back to English, or (as is frequently the case) that one of her films was given a different name for its foreign release.

6.25.2008

ALEATORY #2: Gotye

If you live outside of Australia, chances are pretty good you haven't gotten to hear Gotye—yet. At home, Gotye (the one-man act of Wally DeBacker) is an award-winning indie pop star, pulling down an ARIA (the Aussie Grammy) for best male artist in 2007 and a Most Outstanding New Independent Artist award in 2006 for his album Like Drawing Blood, which went gold.

Now Like Drawing Blood is hitting Europe and Japan later this year, behind lead single "Hearts A Mess," a track Davecat has been putting on pretty much every mixtape he's made since it came out. Everyone needs to hear this song (no, really), and now, soon, you'll be able to get the album without the hefty import fees (assuming you don't live on the left side of the map). Wally was kind enough to take some time from rocking the rest of the world to be our second Aleatory interviewee, and we couldn't be happier.

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9. Favorite song to start (or end) a mixtape with?


"In My Pants" by The Reddings. Defies description. Everyone should find outwhat this song is about.

10. Favorite lyric?

Well, I might as well elaborate a little on that Reddings track.

"There's a girl name [insert garbled name that rhymes with, um, something like "blurl" here], who took me round the world- every place she thought I should be. I said "hey- wait a minute. My rank as a lieutenant- in the army of the freaks". No sense. Absolute gold.

22. Favorite vice?

Nutella. With a side of nutella.

23. Favorite natural oddity?


Metamorphosis. CATERPILLARS TURN INTO BUTTERFLIES PEOPLE! HOLY SHIT!

27. Favorite chord/chord progression?


The one from the chorus of Pink Floyd's "Comfortably Numb". And also Urban Cookie Collective's "The Key, The Secret". And 65.37% of other pop songs ever written. It's something like C, G, Bb, F.

31. Other than musician, what career would you most enjoy?

Highway toll collector. Every day's different.

32. Best thing you learned this week/month?


CATERPILLARS TURN INTO BUTTERFLIES PEOPLE! Wait... I found that out last month. Hmmm... I learned about Iran's history (from a graphic novel called Persepolis). It's bloody terrible. And I felt both intensely thankful and guilty for the luxurious, safe and wasteful existence we enjoy/exploit in Australia and other parts of the western world.

34. What's the best joke you heard recently?


Apparently the shortest joke ever. Very American. Not very funny. But here it is: "Pretentious? Moi?"

35. What's the best place you've randomly discovered while on tour?


Having a roll of toilet paper on you at all times is incredibly helpful. Particularly when preparing to go on stage and beset by a last minute toilet call in a venue whose toilet you haven't checked out beforehand.

38. What is your family like?

Brilliant. Loving and inspiring and supportive. I'm incredibly lucky.

46. Where do you keep things hidden? What do you keep hidden there?


On my hard drive in a folder called "BoringSoftwareDriversYouWouldn'tEverNeedToLookAt". In it, there are LOLcats.

47. Biggest fear?

Someone discovering my LOLcats collection.

51. What are you currently obsessed with?

The newest record player I bought. It's a tiny model of a Volkswagon "combivan" (I dunno what folks outside Australia call this particular model of van) with a stylus attached to the bottom. It drives around vinyl you place on the floor, and has a little built in speaker to play the music. I bought it in New York and although it warbles, skates and has a terribly tinny sound, it's still the best record player ever.

54. So far in your career, what's been your proudest accomplishment?


Getting the first copies of the "Hearts A Mess" 7" single on vinyl. It's not really like I manufactured them, but it felt great to see my first vinyl release. The artwork looked brilliant, the vinyl master and cut was pretty good, I'm proud of the song, and I felt proud all over.

57. Most rock star thing you've ever done?

Admonishing the audience for yabbering loudly in the front row during a show. As it turns out, they were yabbering about how they wanted to bonk me. But all I heard was distracting chatter. Wait... the most rock star thing I've done is brag in an e-interview about fans discussing wanting to bonk me in the front row of one of my shows.

64. Weirdest promotion you've been a part of?

Promoting myself. It gets stranger every time I speak. Did you know I was born in an airoplane that crash-landed on the tip of K2? I crawled down the peak (at age 0, yes) and was raised by villagers until I left my adopted parents to become a world-famous pastry chef. Where did I go to begin my brilliant career? Antarctica of course. Great weather there.

68. Favorite interview you've ever been a part of (aside from this one, obviously)?


One in Japan where the fellow tried speaking English for an hour. He couldn't speak English. I just replied in Japlish-isms. Things like "YOU OUGHT TO GET DO SOME A LITTLE EXERCISE .EVERYDAY" and "ERIC CRAPTON".

71. How well do you feel your music lends itself to remixing or being covered?


It's fine I guess. Depends on who's doing the reworking.

86. With Radiohead's In Rainbows release and Nine Inch Nails doing boffo
business with his online releases, do you see yourself ever doing some alternative kind of release for any of your future projects?

It's something I've been thinking about for the next record. Not that I've got the massive profile and existing fan base to be able to support such adventurous and progressive release strategies. But you gotta think big, and original, to get places.

88. What's your deepest source for musical inspiration?


The deep, deep boom of an 808 deep kick drum on the bottom of the deepest deep house track you've ever deeped. I mean heard. It's so deep I almost experience brown note response.

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Visit Gotye's website.
Photo by James Bryans.